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The interior designer Susanna Biedermann described herself in her curriculum vitae as a painter as well. The compass of her works is in fact greater still. The book begins with the sketchbooks where so many of her creations have their origin. The succession of drawings, watercolours, paintings, murals, objects, photographs, posters, logos , plans, models,...
The interior designer Susanna Biedermann described herself in her curriculum vitae as a painter as well. The compass of her works is in fact greater still. The book begins with the sketchbooks where so many of her creations have their origin. The succession of drawings, watercolours, paintings, murals, objects, photographs, posters, logos , plans, models, buildings and words together give rise to a mosaic which is itself a reflection of Susanna Biedermann s practice of working on several projects simultaneously. Our selection is arranged neither chronologically nor by genre or place of origin, but is instead organized solely on the basis of visual affinities. The works themselves define the sequence in which they appear. Susanna Biedermann s art does not manifest itself in a particular style. Yet what all her many-facetted works have in common is a lightness of touch, a magical quality and a gift for transforming reality. Her many different spheres of interest can all be traced back to her spontaneous fascination with everything around her. Viewed in isolation, her works are simply different parts of a larger whole, which together led to the founding of the Marrakech School of Visual Arts. Wherever possible, we allow Susanna Biedermann herself to speak to us both in her own texts and in interviews.
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