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Minimalist Artists: Carl Andre, Frank Stella, Richard Serra, Ellsworth Kelly, Dan Flavin, Donald Judd, Sol Lewitt, Josiah Mcelheny, Anne Truitt
Chapters: Carl Andre, Frank Stella, Richard Serra, Ellsworth Kelly, Dan Flavin, Donald Judd, Sol Lewitt, Josiah Mcelheny, Anne Truitt, Brice Marden, Fred Sandback, Dale Eldred, Robert Morris, John Mccracken, Agnes Martin, Michael Paul Oman-Reagan, Franois Morellet, Robert Mangold, Timothy App, John Wesley, Mel Kendrick, Wolfgang Laib, Sally Sheinman, List...
Chapters: Carl Andre, Frank Stella, Richard Serra, Ellsworth Kelly, Dan Flavin, Donald Judd, Sol Lewitt, Josiah Mcelheny, Anne Truitt, Brice Marden, Fred Sandback, Dale Eldred, Robert Morris, John Mccracken, Agnes Martin, Michael Paul Oman-Reagan, Franois Morellet, Robert Mangold, Timothy App, John Wesley, Mel Kendrick, Wolfgang Laib, Sally Sheinman, List of Minimalist Artists, Waltraut Cooper, Keith Sonnier. Source: Wikipedia. Pages: 119. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Frank Stella (born May 12, 1936) is an American painter and printmaker. He is a significant figure in minimalism and post-painterly abstraction. He was born in Malden, Massachusetts. After attending high school at Phillips Academy in Andover, Massachusetts, he went on to Princeton University, where he met Darby Bannard and Michael Fried; his work was influenced by the abstract expressionism of Jackson Pollock and Franz Kline, and majored in history. Early visits to New York art galleries influenced his artistic development. Stella moved to New York in 1958 after his graduation. He is one of the most well-regarded postwar American painters who still works today. Frank Stella has reinvented himself in consecutive bodies of work over the course of his five-decade career. Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the "flatter" surfaces of Barnett Newman's work and the "target" paintings of Jasper Johns. He began to produce works which emphasized the picture-as-object, rather than the picture as a representation of something, be it something in the physical world, or something in the artist's emotional world. Stella married Barbara Rose, later a well-known art critic, in 1961. Around...More: http://booksllc.net/?id=173057
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