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Bbc Radiophonic Workshop: Delia Derbyshire, Daphne Oram, Brian Hodgson, Peter Howell, Paddy Kingsland, Dick Mills, Desmond Briscoe, Roger Limb
Chapters: Delia Derbyshire, Daphne Oram, Brian Hodgson, Peter Howell, Paddy Kingsland, Dick Mills, Desmond Briscoe, Roger Limb, John Baker, Richard Attree, Mark Ayres, Elizabeth Parker, David Cain, Malcolm Clarke, Maddalena Fagandini, Glynis Jones, Richard Yeoman-Clark, Jonathan Gibbs. Source: Wikipedia. Pages: 64. Not illustrated. Free updates online....
Chapters: Delia Derbyshire, Daphne Oram, Brian Hodgson, Peter Howell, Paddy Kingsland, Dick Mills, Desmond Briscoe, Roger Limb, John Baker, Richard Attree, Mark Ayres, Elizabeth Parker, David Cain, Malcolm Clarke, Maddalena Fagandini, Glynis Jones, Richard Yeoman-Clark, Jonathan Gibbs. Source: Wikipedia. Pages: 64. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The BBC Radiophonic Workshop, one of the sound effects units of the BBC, was created in 1958 to produce effects and new music for radio, and was closed in March 1998, although much of its traditional work had already been outsourced by 1995. It was based in the BBC's Maida Vale Studios in Delaware Road, London, growing outwards from the then-legendary Room 13. The innovative music and techniques used by the Workshop has made it one of the most significant influences on electronic music today. The Workshop was set-up to satisfy the growing demand in the late 1950s for "radiophonic" sounds from a group of producers and studio managers at the BBC, including Desmond Briscoe and Daphne Oram. For some time there had been much interest in producing innovative music and sounds to go with the pioneering programming of the era, in particular the dramatic output of the BBC Third Programme. Often the sounds required for the atmosphere that programme makers wished to create were unavailable or non-existent through traditional sources and so some, such as the musically trained Oram, would look to new techniques to produce effects and music for their pieces. Much of this interest drew them to musique concrète and tape manipulation techniques, since using these methods could allow them to create soundscapes suitable for the growing range of unconventional programming. When the BBC noticed the rising popularity of this method they established a Radi...More: http://booksllc.net/?id=66028
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